Venice Review: Emma Stone Casts Enchanting Spell in Dark Fairytale Masterpiece

An Enchanting Dark Fairytale: A Review of “Poor Things”

Introduction

In a year filled with dance movies, one unexpected gem stands out at the Venice Film Festival. Yorgos Lanthimos’ “Poor Things” may not advertise itself as a dance film, but its twisted gothic fairytale narrative, coupled with the exceptional performances of Emma Stone and Willem Dafoe, make it a captivating and unforgettable cinematic experience. Based on Alasdair Gray’s 1992 novel, the film tells the story of Bella Baxter, an ungainly and childlike woman created by Dr. Godwin Baxter, played by Dafoe. As we delve into this opulent and optimistic world, we discover that “Poor Things” is more than a mere reiteration of Lanthimos’ dark tales; it is a celebration of human capacity for change and the power of kindness.

The Evolution of Bella Baxter

From the moment we meet Bella Baxter, expertly portrayed by Emma Stone, she captivates our attention. With her arty-kooky terpsichorean moves and frankenstein-like appearance, Bella is a spectacle. Stone’s performance is mesmerizing as she takes us on a journey of Bella’s development. From an oddity who bangs atonally on a piano, dependent on the presence of Dr. Baxter, she transforms into a blossoming woman with a voracious appetite for life. Stone’s ability to convey Bella’s transformation, both physically and emotionally, is a testament to her talent as an actress.

Lanthimos’ Departure from the Familiar

Yorgos Lanthimos has often been associated with dour and deadpan tales that highlight the inherent cruelty of human beings. However, “Poor Things” marks a departure from his previous work. Inspired by his 2017 film “The Favourite,” which was more wickedly cheerful and bawdy, Lanthimos presents us with a film that is both opulent and optimistic. This unexpected shift in tone allows Lanthimos to explore the idea that most human beings have the capacity to change for the better, and that a world of kindness is within our reach if we each contribute to the best of our ability. “Poor Things” extends generosity not only to its characters but also to the audience, ushering us into a strange and gorgeous-looking world.

An Odyssey of Discovery and Autonomy

As Bella embarks on her odyssey, the film takes us on a journey that evokes Mary Shelley’s “Frankenstein” while also addressing the social value of women’s sexual freedom. The material, reminiscent of Thomas Hardy and D.H. Lawrence, tackles themes of autonomy, independence, and the fragility of the male ego when faced with a woman’s burgeoning independence. Bella’s encounters and experiences along the way shape her understanding of the world and her desire to make it better. Her decision to become a doctor, like her surrogate father, represents her commitment to improving the lives of others. Throughout the film, Lanthimos weaves a rich tapestry of emotions and revelations, leaving the audience both intrigued and contemplative.

Visual Splendor and Performance

Visually, “Poor Things” is a feast for the eyes. The film’s dreamy psychedelic Beaux Arts aesthetic, combined with the cinematography of Robbie Ryan, creates a grand and mesmerizing experience. The loopy-elegant production design by Shona Heath and James Price adds to the film’s enchanting spell. Emma Stone’s costumes, designed by Holly Waddington, are extraordinary, blending traditional Victorian elements with a futuristic twist. Each outfit is a work of art, conveying the sensuous and otherworldly nature of the film. Stone’s performance as Bella is exceptional, bringing to life the character’s cautious curiosity and joyous exploration with lunar-like oddness. She embodies the essence of Bella in every scene, leaving a lasting impression on the audience.

A Surprising Tender Ending

Perhaps the most surprising aspect of “Poor Things” is its tender and off-kilter ending. Lanthimos, known for his dark and twisted storytelling, reveals a newfound appreciation for beauty and acceptance. Suddenly, he becomes the hero of his own fairytale, recognizing the intrinsic value in embracing both the beauty and the beast within. This unexpected conclusion leaves viewers with a sense of hope and a reminder of the complexities and wonders of the human experience.

Conclusion: A Masterpiece Unveiled

“Poor Things” stands as Yorgos Lanthimos’ finest movie to date, a masterpiece that defies genre categorization. Through its enchanting narrative, exceptional performances, and visual splendor, the film explores themes of transformation, autonomy, and the capacity for kindness. Emma Stone’s portrayal of Bella Baxter is a tour de force, captivating and otherworldly. As the film journeys through Bella’s evolution, it invites the audience to reflect on their own ability to change and contribute to a kinder world. “Poor Things” is a cinematic experience that lingers long after the credits roll, leaving viewers with a renewed appreciation for the beauty and complexities of the human spirit.