Emma Stone Delivers a Captivating Performance in ‘Poor Things’: A Riveting Dive into Wealth and Influence in Society

Venice Film Festival: Emma Stone Gives Her Richest Performance Yet in “Poor Things”

A Surprising Shift in Yorgos Lanthimos’s Style

The Venice Film Festival is known for showcasing a diverse range of films, but one of the standouts this year is “Poor Things,” the latest offering from Greek director Yorgos Lanthimos. While Lanthimos is known for his dark and unconventional storytelling, “Poor Things” takes a departure from his usual style and offers a long, strange trip towards something surprisingly sweet.

A Sci-Fi Fairytale Bildungsroman

Based on Alasdair Gray’s 1992 novel, “Poor Things” is a sci-fi fairytale bildungsroman that follows the journey of Bella Baxter, played brilliantly by Emma Stone. Bella is a Frankensteinian monster who is the ward of a mad scientist professor, Godwin, portrayed by Willem Dafoe. Bella’s existence is a freakish abnormality, as she is both child and mother at once, with the brain of an infant housed in her adult body.

A Whimsical and Arresting Film

The film takes place in a vaguely 1880s European setting, with its whimsical style reminiscent of Terry Gilliam’s work. Steampunk elements, deliberately false backdrops, and a fascinating array of costumes add to the film’s arresting visuals. However, the relentless style of the film risks exhausting the viewer, and some moments of corny indulgence could have been omitted.

Political Commentary and Exploration of Sexuality

While the film may have its flaws, its politics are pointed and thought-provoking. Bella’s journey through a landscape of sex and encounters with men allows her to gain mettle and a sharp perspective. She becomes a sex-worker philosopher, questioning the systems she encounters with a directness that showcases her unique psychological makeup. Sex is depicted in vivid detail, and Emma Stone fearlessly commits to these scenes, showcasing her range as an actress.

The Marvelous Turn of Emma Stone

Emma Stone’s performance as Bella Baxter is truly outstanding. She seamlessly shifts between the film’s comedy and its mounting wistfulness, capturing the character’s development from infant to woman with wit and authenticity. Stone’s portrayal of Bella exudes a keen and hard-won appreciation of her place in the world, making her performance a captivating one.

Strong Supporting Cast

Stone is well-supported by her co-stars, including Willem Dafoe as the eccentric mad scientist professor and Ramy Youssef as Max, one of Godwin’s students. The late addition of Christopher Abbott as a sleazy villain adds an extra layer of tension to the narrative, while Kathryn Hunter impresses as a prickly mix of motherly and menacing. Mark Ruffalo, however, tips the scales towards daffy farce, potentially due to the director’s direction.

A Comedy Above All Else

“Poor Things” is, above all, a comedy. Lanthimos expertly infuses the film with piercing cleverness, reveling in its peculiarity without veering into smugness. However, the film’s 140-minute runtime might be a bit too long, and some of the jokes become repetitive. Towards the end, the plot becomes cumbersome, diminishing the film’s vigor. Nevertheless, the closing scenes of the film offer a sense of kindness and accomplishment, leaving the viewer feeling contented.

Editorial and Philosophical Discussion

Exploring Themes of Identity and Acceptance

“Poor Things” delves into themes of identity and acceptance, as Bella navigates a world that sees her as an anomaly. The film raises questions about what it means to be human and challenges societal norms. Bella’s journey is a metaphor for the struggles of anyone who feels like an outsider, and her story serves as a reminder of the importance of embracing our differences.

Finding Grace in the Profane and Squalid

Yorgos Lanthimos’s growth as a filmmaker is evident in “Poor Things.” While still maintaining his mischievous and provocative style, he manages to find grace in the profane and squalid. The film’s exploration of Bella’s sexuality and her journey towards self-discovery is handled with sensitivity and authenticity, adding depth to the narrative.

An Invitation to Reflect and Engage

“Poor Things” invites viewers to reflect on society‘s treatment of those who are different and challenges us to examine our own biases. It serves as a reminder that true acceptance comes from embracing diversity and celebrating the uniqueness of each individual. Lanthimos’s film encourages us to engage in conversations about societal norms and the limitations they impose.

Advice

A Film Worth Watching

“Poor Things” is a film that may not appeal to everyone due to its unconventional storytelling and explicit content. However, for those who appreciate thought-provoking cinema and are willing to dive into Lanthimos’s unique world, it is a must-watch. Emma Stone’s captivating performance and the film’s exploration of identity and acceptance make it a compelling and worthwhile viewing experience.

Appreciating Unconventional Filmmaking

While “Poor Things” may not follow traditional storytelling conventions, it offers a refreshing departure from mainstream cinema. It challenges viewers to expand their horizons and embrace unconventional narratives that push the boundaries of artistic expression. By seeking out films like “Poor Things,” we support independent cinema and encourage filmmakers to continue exploring new and daring ideas.

Celebrating Diversity and Challenging Norms

“Poor Things” serves as a reminder of the importance of embracing diversity and challenging societal norms. As viewers, we have a responsibility to engage with films that amplify marginalized voices and shed light on the struggles faced by those who do not fit into traditional molds. By supporting films like “Poor Things,” we contribute to a more inclusive and accepting society.