‘Arrow’ Actor Stephen Amell Disagrees with SAG Strike

SAG Strike 2023: Arrow Star Stephen Amell Doesn’t Support SAG Strike

Actor Criticizes Strike as a “Reductive Negotiating Tactic”

While attending GalaxyCon in Raleigh, North Carolina, Stephen Amell, best known for his role as the superhero Green Arrow in the CW series Arrow, expressed his opposition to the ongoing SAG-AFTRA strike. Amell, who stars in the series Heels, called the strike “myopic” and a “reductive negotiating tactic.” Despite his support for the actors union, he does not believe that striking is the right approach.

Insulated in Hollywood and Frustrated with the Strike

During a Q&A session at the convention, Amell acknowledged his privileged position living in Hollywood and expressed his frustration with the strike. He acknowledged his support for the union but emphasized that he did not agree with the decision to strike.

The Impact on Heels and SAG Strike Guidelines

Amell’s series Heels premiered its second season on Starz recently. However, according to the SAG Strike guidelines, guild members are not allowed to participate in conventions or events promoting struck work. While Amell attended GalaxyCon for autograph signings and fan interactions unrelated to Heels, some members of the Arrowverse, the shared universe of DC Comics superheroes on the CW network, expressed displeasure with his actions and comments.

A Unique Perspective

Stephen Amell’s perspective on the SAG-AFTRA strike is unique among actors in Hollywood. He has publicly voiced his opposition, despite nearly 98% of SAG-AFTRA members voting in favor of the strike. Led by SAG president Fran Drescher, the strike began on July 14, joining the ongoing strike by the Writers Guild of America since May 2. This dual strike is the first in the industry in 63 years.

Editorial: Debating the Effectiveness of Strikes in Hollywood

The debate over the effectiveness of strikes as a negotiating tactic in Hollywood is not a new one. Strikes can be seen as a powerful tool for workers to demand fair treatment and better conditions. However, they can also disrupt the industry, causing financial losses and impacting the livelihoods of many people beyond the decision-makers being targeted.

In this case, the SAG-AFTRA strike has caused a significant upheaval in the entertainment industry, with both actors and writers taking a stand against major production companies. While Stephen Amell may not agree with the strike, his opinions highlight the complex nature of these labor disputes.

Philosophical Perspectives on Strikes

In discussing the merits of strikes, it is important to consider philosophical perspectives on labor rights and negotiations. Some may view strikes as a way for workers to collectively bargain and exercise their agency in the workplace. From this perspective, strikes can be seen as a necessary means for actors and writers to assert their worth and ensure fair compensation.

On the other hand, critics argue that strikes can sometimes be counterproductive, causing unintended consequences and further dividing the industry. Some might argue that strikes can limit opportunities for collaboration and hinder creative output. They may also argue that strikes can harm the reputation and financial stability of production companies, potentially leading to long-lasting effects on the industry as a whole.

Moving Forward: Finding Common Ground

In the case of the SAG-AFTRA strike, it is evident that the actors’ and writers’ unions feel strongly about the need for change within the industry. It is crucial for all parties involved to engage in thoughtful dialogue and negotiation to find common ground. This includes considering alternative strategies to strikes, such as mediation and arbitration, to address the concerns of both workers and production companies.

Ultimately, the success of any negotiation process depends on the willingness of both sides to listen, understand, and find compromise. It is in the best interest of all involved to work towards a resolution that benefits the industry as a whole, while also ensuring fair treatment and compensation for actors and writers.