Reimagining Music: A Thought-Provoking Review of The Breedling by The Quietus

The Breedling: Reimagining Music with Thought-Provoking Sounds

Introduction

In an age where music coverage is often influenced by public relations companies and commercial pressures, The Breedling’s emergence in the music scene stands as a testament to the power of do-it-yourself artists and the potential of music that is discovered organically. Their music, created by Chris Spalton, offers an interesting and unique experience that challenges traditional genres and evokes a sense of abstract moody atmospheres. The debut release by The Breedling, titled “Irukandji,” showcases Spalton’s talent for creating tension through space and slowness, drawing inspiration from the likes of Scorn, JK Flesh, Helm, and Raime. With its dystopian aura and thought-provoking sounds, The Breedling’s music is a refreshing departure from mainstream offerings.

Organic Discovery and Musical Integrity

The Breedling’s rise to prominence exemplifies the ways in which artists can gain recognition without being subject to the influence of public relations companies. Instead of relying on commercial pressure, The Breedling’s work has been shared through authentic channels, such as Bandcamp and direct communication with fans. The release of “Dances/Curses” by Hey Colossus, which topped The Quietus’ chart in 2020, serves as a prime example. All communications related to the release came directly from bassist Joe Thompson via his broadband line, highlighting the organic nature of The Breedling’s emergence. This kind of authenticity is what allows artists like The Breedling to create thought-provoking music that resonates with listeners, free from external influences.

Exploring The Breedling’s Soundscapes

The Breedling’s music can be best described as a journey through abstract soundscapes that build tension and evoke a sense of unease. The opening track of “Irukandji” immediately captures the listener’s attention with a throbbing, foghorn-like rhythm accompanied by sporadic bursts of static noise and low-mixed screams. It is reminiscent of the work of Scorn and JK Flesh, experts in creating atmospheric compositions. The Breedling, like these artists, understands the power of space and slowness in creating a haunting ambiance.

‘Fools Funnel,’ another standout track, echoes the works of legendary filmmaker John Carpenter. It transports listeners into a dystopian realm, as if they were being chased by poisonous digi-snakes in a one-man Necro Deathmort production. Amidst the dystopian aura of the album, tracks like ‘Guthlac’ and ‘Doubt’ offer calmer and twinklier passages, providing a brief respite before delving back into the ominous atmosphere.

One of the most captivating tracks on the album is ‘Asylum,’ which stands out with its driving rock drums and fizzing synth sounds. Its power and intensity are sure to captivate and hold the attention of any listener. It is the kind of track that would leave concertgoers in awe, with hands in the air and mouths forming the universally recognized shape of excitement.

Thought-Provoking Music and the Limitations of Criticism

The Breedling’s music challenges listeners and critics alike to veer away from narrow genre classifications. It offers an unconventional and thought-provoking experience that goes beyond the ordinary realm of mainstream music. However, when it comes to describing music of this nature, critics often find themselves limited by overused words like “cinematic.” While this term may not fully capture the intricacies of The Breedling’s soundscapes, it proves to be more informative than a mere endorsement like “IT ISN’T SHIT, CHRIS!”

Given the incredible potential showcased in this debut release, it’s not implausible to consider a future for Chris Spalton akin to that of acclaimed artist Haxan Cloak. With a little less modesty and continued exploration of his craft, Spalton has the opportunity to make a significant impact on the music industry.

Editorial: Embracing the Independent and the Thought-Provoking

Supporting Independent Artists

The rise of artists like The Breedling is a reminder of the importance of supporting independent musicians who eschew commercial pressures in pursuit of their creative vision. In an era saturated with manufactured sounds, it is crucial to cultivate an environment that encourages exploration and experimentation within the music industry. Platforms like Bandcamp provide a valuable outlet for artists to showcase their work directly to fans, bypassing the traditional gatekeepers of the music world. By actively seeking out and supporting independent artists, listeners can contribute to a more diverse and innovative musical landscape.

Encouraging Thought-Provoking Music

The Breedling’s debut release invites listeners to step outside their musical comfort zones and embrace the unfamiliar. In an era of repetitive mainstream hits, it is refreshing to encounter artists who challenge preconceived notions of genre and sound. By shifting the focus towards thought-provoking music, listeners can actively engage with the narrative and emotional depth that independent artists like The Breedling offer. It is this willingness to step outside the bounds of familiarity that allows the music industry to evolve and push boundaries.

In Conclusion

The Breedling’s debut release, “Irukandji,” establishes Chris Spalton as a force to be reckoned with in the realm of thought-provoking music. In a world dominated by commercial pressures, The Breedling offers a refreshing departure from the ordinary, drawing inspiration from a range of experimental artists while creating his unique soundscapes. By supporting independent artists and embracing the unfamiliar, listeners can actively contribute to a more diverse and innovative music industry. The Breedling’s emergence serves as a reminder of the power of organic discovery and the potential for independent musicians to reshape the musical landscape.